Hagan, K. "Textural Composition: Aesthetics, Techniques, and Spatialization for High-Density Loudspeaker Arrays." Computer Music Journal 41(1): 34-45.

Hagan, K. "Book review: Broadening Horizons." Organised Sound 21(3): 274-275.

Hagan, K. "The Intersection of 'Live' and 'Real-time'" Organised Sound 21(02): 138-146.

Hagan, K. "How Live is Real-Time?" Electroacoustic Music Studies Network, Berlin, June 2014.

Hagan, K. "The Noise of Morphons and Bions" International Computer Music Conference, Perth, Australia, August 2013, p 376-379.

Hagan, K. "Different Walks for Different Talks: Finding the Meaningful in Electroacoustic Music" Electroacoustic Music Studies Network, Stockholm, June 2012.

Hagan, K. "Aesthetic and Philosophical Implications of Noise in Morphons and Bions (2011)" Music, Mind, and Invention Workshop, New Jersey, USA, March 2012.

Hagan, K. CHAOS 2010, "Aesthetic Considerations in Algorithmic and Generative Composition" 3rd Chaotic Modeling and Simulation International Conference, Chania, Crete, June 2010.

Hagan, K. "Textural Composition: Implementation of an Intermediary Aesthetic" International Computer Music Conference, Belfast, August 2008, p 509-514.

Hagan, K. "Textural Composition and its Space" Sound and Music Computing, Berlin, July 2008, p 100-106.

Hagan, K. "Genetic Analysis of Xenakis' Analogique B" Electroacoustic Music Studies, Montreal, October 2005.